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Born in 1950 in Metzingen, Germany, Wolfgang Laib originally studied medicine. Disillusioned with Western medicine, he came to view the natural sciences, as well as most other modern thinking, as limited for their dependency on logic and the material world. His search led him to Eastern spiritualism, philosophy and pre-Renaissance thought. Since 1975, Laib has worked exclusively as an artist and has built an international reputation. In 2000, the American Federation of the Arts organized a retrospective, which traveled to the Hirshhorn Museum; Henry Art Gallery, Seattle; Dallas Museum of Art; Scottsdale Museum of Contemporary Art; Museum of Contemporary Art, San Diego; and Haus der Kunst, Munich (2000-2003). Subsequent solo museum exhibitions include the Guangdong Museum of Art, Guangzhou (2004); Fondation Beyeler, Basel (2005-2006); MUAC (Museo Universitario Arte Contemporáneo), Mexico City (2009); The Nelson-Atkins Museum of Art, Kansas City (2009-2010); and MMK Museum für Moderne Kunst, Frankfurt (2010). In 2013, Laib’s was on view at The Museum of Modern Art, New York, and the Laib Wax Room opened at The Phillips Collection in March of the same year. In September 2017, MASI Lugano opened a solo exhibition that runs through 18 March 2018. Laib was awarded the Praemium Imperiale award for sculpture in 2015. His work is in public and private collections worldwide, including the Hirshhorn Museum and Sculpture Garden; Museum of Contemporary Art, Los Angeles; The Museum of Modern Art, New York; Centre Pompidou, Paris; CAPC (Musée d’art contemporain de Bordeaux); Kunstmuseum Bonn; and Museum of Contemporary Art, Helsinki. Laib had his first solo show at Sperone Westwater in 1979 and subsequent exhibitions in 1981, 1991, 1993, 1995, 1998, 2013, and 2018.He lives and works between Hochdorf, Germany, New York, and Ammayanayakkanur, India.

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Wolfgang Laib

, 2011 - 2014 underground beeswax space,

192 x 1,800 x 72 ft

Studio Anselm Kiefer, La Ribaute, Barjac, France

Wolfgang Laib , 2013 7 brass ships, rice 18 x 128 x 102 inches (46 x 352,1 x 259,1 cm) overall SW 13005

Wolfgang Laib , 2013 5 brass ships, rice, wood and steel 6 3/4 x 87 x 12 inches (17,2 x 221 x 30,5 cm) overall SW 13139

Wolfgang Laib , 2010 pencil and oil pastel on paper 11 5/8 x 9 5/8 inches (29,5 x 24,5 cm) sheet SW 13076

Wolfgang Laib , 2010 pencil and oil pastel on paper 9 1/2 x 11 5/8 inches (24 x 29,5 cm) sheet SW 13079

Wolfgang Laib , 2007 black burmese lacquer, rice and wood 15 x 24 3/8 x 24 3/8 inches (38 x 62 x 62 cm) SW 13119

Wolfgang Laib , 2006 pencil and oil pastel on paper 20 1/2 x 16 1/2 inches (52 x 42 cm) sheet SW 13040

Wolfgang Laib , 2005 beeswax, wooden understructure 173 1/4 x 37 3/8 x 167 5/8 inches (440 x 95 x 436 cm) SW 13004

Wolfgang Laib , 2003 3 pollen jars: buttercup, hazelnut and moss on a painted aluminum shelf 17 3/4 x 51 inches (45 x 130 cm) height from floor: 39 1/3 inches (1 meter) SW 13020

Wolfgang Laib , 2002 burmese red lacquer and wood 49 1/4 x 16 1/8 x 33 inches (125 x 41 x 84 cm) SW 13021

Wolfgang Laib , 1996 white marble, rice 7 1/2 x 7 1/2 x 33 7/8 inches (19 x 19 x 86 cm) SW 13049

Wolfgang Laib , 1995 beeswax 12 3/4 x 48 x 15 inches(32,4 x 121,9 x 38 cm) overall SW 95198 Private Collection

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Artist exhibitions

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it had played “a determining role” in the genocide against Rohingya refugees in Myanmar: pleading ignorance, offering sympathy and small concessions, and claiming it was unable to do anything about it.

Here is the real issue: Facebook’s business model relies on people’s dependence on its platforms for practically all of their communications and news consumption, setting itself up as their most important provider of factual information — yet it takes no responsibility for the accuracy of that information.

Facebook’s marketing strategy begins with creating an addiction to its platform using a technique that former Google ethicist Tristan Harris has been 710 Super Skinny Solid Jeans Levis Sale 2018 New Buy Cheap Cost Cheap Limited Edition The Cheapest Buy Cheap Ebay eEMBI
: intermittent variable rewards. Casinos use this technique to keep us pouring money into slot machines; Facebook and WhatsApp use it to keep us checking news feeds and messages.

When Facebook added news feeds to its social-media platform, its intentions were to become a primary source of information. It began by curating news stories to suit our interests and presenting them in a feed that we would see on occasion. Then it required us to go through this newsfeed in order to get to anything else. Once it had us trained to accept this, Facebook started monetizing the newsfeed by selling targeted ads to anyone who would buy them.

It was bad enough that, after its acquisition by Facebook, WhatsApp began providing the parent company with all kinds of information about its users so that Facebook could track and target them. But in order to make WhatsApp as addictive as Facebook’s social-media platform, Facebook added chat and news features to it — something it was not designed to accommodate. WhatsApp started off as a private, secure messaging platform; it wasn’t designed to be a news source or a public forum.

WhatsApp’s group-messaging feature is particularly problematic because users can remain anonymous, identified only by a mobile number. A motivated user can create or join unlimited numbers of groups and share hate-filled messages and fake news. What’s worse is that message encryption prevents law-enforcement officials and even WhatsApp itself from viewing what is being said. No consideration was given in the design of the product to the supervision and moderation necessary in public forums.

Facebook needs to be held liable for the deaths that WhatsApp has already caused and be required to take its product off the market until its design flaws are fixed. It isn’t making its defective products available only to sophisticated users who know what they have signed up for; it is targeting people who are first-time technology users, ignorant about the ways of the tech world.

Only by facing penalties and being forced to do a product recall will Facebook be motivated to correct WhatsApp’s defects. The technology industry always finds a way of solving problems when profits are at stake.

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